Join us for the closing conversation between artists Jamel Shabazz and Derrick Adams that will trace the history of Jamel's photographic practice, exploring how the work has been shown and received, both locally and internationally. Focusing on key pieces of Shabazz's, the conversation will celebrate the significance of Jamel Shabazz: Eyes on the Street, highlight an ongoing engagement with contemporary visual culture, and the impact his work has had on Adams' work over the years.
Please RSVP for this free conversation, HERE.
ABOUT THE PANELISTS
Jamel Shabazz was born and raised in Brooklyn, New York. At the age of fifteen, he picked up his first camera and started to document his peers. Inspired by photographers Leonard Freed, James Van Der Zee, and Gordon Parks, he was marveled with their documentation of the African American community. In 1980 as a concerned photographer with a clear vision he embarked on a mission to extensively document various aspects of life in New York City, from youth culture to a wide range of social conditions. Due to its spontaneity and uniqueness, the streets and subway system became backdrops for many of his photographs.
Shabazz says his goal is to contribute to the preservation of world history and culture. In the past 10 years he has had over two dozen solo exhibitions; “Men of Honor”, “A Time Before Crack”, “Pieces of a Man”, “Represent”, When Two Worlds Meet”, “Back in the Days,” and “Seconds of my Life,” which have been shown from Argentina to The Netherlands, England, Italy, Germany, France, Japan and throughout the United States.
An even longer list of group showings include Art Basel; Miami, the Brooklyn Museum, the Newark Museum, the Contact Photo Festival, the Victoria and Albert Museum, The Studio Museum in Harlem, Duke University, and the Adidas Photo Festival in Ethiopia.
Over the years Jamel has volunteered, working with a wide range organizations centered on inspiring young people in the field of photography and social responsibility. In addition, he has been a teaching artist with the Rush Philanthropic Arts Foundation; the Bronx Museum’s Teen Council youth program, The International Center of Photography, Friends of the Island Academy; and the Studio Museum in Harlem’s Expanding the Walls Project.
Adding to his community service he has lectured at the Fashion Institute of Technology, The International Center for Photography, The Brooklyn Historic Foundation, Haverford College and Parsons New School of Design.
Shabazz is the author of 5 monographs and has contributed to numerous others. He is presently working on a new book, titled “The Book of Life”.
Derrick Adams is a Baltimore-born, Brooklyn, New York-based artist whose critically admired work spans painting, collage, sculpture, performance, video, and sound installations. His multidisciplinary practice engages the ways in which individuals’ ideals, aspirations, and personae become attached to specific objects, colors, textures, symbols, and ideologies. His work probes the influence of popular culture on the formation of self-image, and the relationship between man and monument as they coexist and embody one another. Adams is also deeply immersed in questions of how African American experiences intersect with art history, American iconography, and consumerism. Most notably in his Floater series, he portrays Black Americans at leisure, positing that respite itself is a political act when embraced by black communities. The radicality of this position has materialized in Adams’ work across his Deconstruction Worker, Figure in the Urban Landscape, and Beauty World series.
In formal terms, Adams’ practice is rooted in Deconstructivist philosophies related to the fragmentation and manipulation of structure and surface, and the marriage of complex and improbable forms. His tendency to layer, hybridize, and collage not only images and materials, but also different types of sensory experiences, link the artist to an estimable lineage of pioneers ranging from Hannah Höch and Henri Matisse, to William H. Johnson and Romare Bearden. In Adams’ art, the process can also be understood as an analog: “Everything that we are is based on a specific construction,” he once remarked.
Adams received his MFA from Columbia University and BFA from Pratt Institute. He is an alumnus of the Skowhegan School of Painting and Sculpture and Marie Walsh Sharpe Foundation’s Studio Program.
Adams is a recipient of a Robert Rauschenberg Foundation Residency (2019), a Gordon Parks Foundation Fellowship (2018), a Studio Museum Joyce Alexander Wein Artist Prize (2016), and a Louis Comfort Tiffany Award (2009). He has been the subject of numerous solo exhibitions, including Where I’m From — Derrick Adams (2019) at The Gallery in Baltimore City Hall; Derrick Adams: Sanctuary (2018) at the Museum of Arts and Design, New York; and Derrick Adams: Transmission (2018) at the Museum of Contemporary Art, Denver. Adams’ work has been presented in numerous important public exhibitions, including Men of Change: Power. Triumph. Truth. (2019) at the National Underground Railroad Freedom Center, Cincinnati; PERFORMA (2015, 2013, and 2005); The Shadows Took Shape (2014) and Radical Presence (2013–14) at The Studio Museum in Harlem; The Channel (2012) at the Brooklyn Academy of Music; Greater New York (2005) at MoMA PS1; and Open House: Working In Brooklyn (2004) at the Brooklyn Museum. His work resides in the permanent collections of The Metropolitan Museum of Art, The Studio Museum in Harlem, the Whitney Museum of American Art, the Virginia Museum of Fine Arts, and the Birmingham Museum of Art.
VIDEO Recording
Video by Argenis Apolinario Photography
